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Without doubt, one of the most hysterical parodies ever!

"Without doubt, one of the most hysterical parodies ever!"

Given the current world political climate, Trey Parker and Matt Stone hit the ball right out of the park with this film. I haven't laughed so hard so frequently in a theater in years! This was simply amazing.

The sheer goofy look and movement of the deliberately low-tech puppet bodies, combined with their high-tech heads and incredibly elaborate sets, makes for some truly classic moments. When the World Police thoughtfully swoop down to take out a handful of terrorist, while simultaneously destroying much of the surrounding city in the process, you can't help but laugh at the irony. Can you say "collateral damage"?

And the overly extended scene of the two lead puppets engaging in the obligatory sex scene had me laughing so uncontrollably that I thought they'd have to take me out of the theater on a stretcher. Oh my Lord was that funny. It was one of those rare movie moment that had me laughing days later just thinking about it.

Not only do Parker and Stone mercilessly poke fun at the silly, over-the-top nature of certain Hollywood filmmakers like Jerry Bruckheimer and Michael Bay (e.g., his nearly unwatchable "Pearl Harbor"), but they also take the public personas of world leaders like North Korean dictator Kim Jong-Il and practically feed them into a wood chipper. How this film didn't spark an international PR incident with North Korea is just astounding to me.

What makes their political edge so refreshing and sidesplitting is they're willingness to take on everybody, rather than merely bolstering a right- or left-wing view. And the merciless way they go after Hollywood celeb-activists was profoundly funny. Too often I've been sickened by the overly simplistic mentality that comes from the mouths of certain actors when they use their status as public figures to comment on the world affairs. Parker and Stone portray acting notables like Penn, Baldwin, Robbins, Sarandon, and Garofalo as complete idiots, who are as easily herded about by Kim Jong-Il as so many sheep. Matt Damon is practically a troglodyte who is so stupid that all his brain can manage is to say his name over and over again.

Like "South Park Bigger, Longer and Uncut," this film has numerous musical numbers that are used to punctuate the humor of various scenes. The song "America, F**k Yeah!" once again practically had me on the floor, especially when it was uses a second time but with a much slower beat. The level of adult humor and vulgarity here will probably not make this film suitable for small kids, and much of the political edginess may be lost on most teenagers. But if there were a category for "Best Comedy Film," Parker and Stone would both win an Oscars, hands down!